Lets increase your sales
Sony Fx3 with 85mm f1.4 GM, 50mm f1.4GM.
Aputure 300d with Lantern 90. 12’ Magic bounce on a frame for fill. Genaray torpedo for hairlight.
Audio from Premiumbeat.com
Sony Fx3 with 85mm f1.4 GM, 50mm f1.4GM, 35mm f1.4GM, and Tiffen ProMist 1/4.
Godox VL150 with Lantern 90. Godox VL150 with Fresnel . Genaray torpedos for accents.
Audio from Premiumbeat.com
Director - Ricky DeCorella Editor - Abraham Holguin
Sony Fx3 with 85mm f1.4 GM.
Background: Pink roll. Assorted Props. Aperture 300D for keylight.
Audio from Premiumbeat.com
Interviews, Events, Live Webcasting, Internal Training, Testimonials. I’ve done it all.
Always on time, under budget, and in line with the company message and brand.
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I built all the sets in this video. All of these take place in the same room - Nikon z6, 50mm 1.2, 24fps, ISO100, f1.4. Canon C200, 85mm 1.5, 24fps, ISO 500, f1.5
Nikon z6, 50mm 1.2, 24fps, ISO100, f1.4. Canon C200, 85mm 1.5, 24fps, ISO 500, f1.5
Camera: c200, Lens: 50 1.4, Light: CAME-TV 1000w Fresnel with 48” Softbox, Mic: Sennheiser G4 Lav with MKH416 Boom for backup.
Canon 5Diii, 50mm 1.4, 30fps, ISO 800, f2. Lowel Rifa for keylight.,white card for fill, Generay LED for backlight.
You need your audience to understand your message, no matter how complicated.
All while being entertaining.
I’ll show you how.
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Canon C200, 50mm 1.4, 24fps, ISO 500, f1.5. Genaray Endeavor with 48” softbox for key, white card for fill, Genaray LED for backlight, Quasar 4’ for kicker, x2 Came-TV 100w for background.
Nikon z6, 50mm 1.2, 24fps, ISO100, f1.4. Canon C200, 85mm 1.5, 24fps, ISO 500, f1.5
Nikon z6, 50mm 1.2, 24fps, ISO100, f1.4. Genaray Endeavor with 48” softbox for key, white card for fill, Genaray LED for backlight. 1x3 Lite matt for the fake window (Yeah, it’s fake)
Nikon z6, 50mm 1.2, 24fps, ISO100, f1.4. Genaray Endeavor with 48” softbox for key, white card for fill, Genaray LED for backlight. 1x3 Lite matt for the fake window
Canon C200, 24-105mm 4, 60fps, ISO 800, f5.6
C200, 24-105 f4, 30fps, ISO 800, f4.
Your followers are over 50% more likely to engage with your post if you use video.
Let’s build that following together.
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Camera: c200, Lens: 35mm f2, Light: Dracast light panel with 4x4 diffusion. 4k, 24fps, Aperture f2, ISO 800.
Panasonic gh4, Metabones speedboster, 35mm f2.
Canon C200, 50mm 1.4, 24fps, ISO 500, f2
Camera: 5Diii, Lens: 85mm t1.5, Lights: Lowel Rifa softboxes and Lowel tota. 1080, 24fps, Aperture t1.5, ISO 500.
You look good.
Lets make sure the rest of the world knows it too.
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Currently in post production. ̌
2D can have just as big of an impact as 3D.
Lets have some fun.
Let’s go live.
At this point, I have easily done over a hundred broadcasts. Ranging from setting up inside of a persons house, to studio broadcasts, to broadcasting from the backstage of the Lincoln center. Where do you want to go live?
Panasonic AG-CX350 through 3G SDI to Atomos Odyssey for 1080p broadcast with 4K internal capture for post editing. Broadcast using Brightcove with Wirecast switching software.
Background: White roll with x2 CAME-TV 150W LEDs with 32” softboxes.
Talent: x2 Dracast Foldable LED1000 through 48” umbrella
Audio: x2 Sennheiser G4 Lav packs with Countryman B3 Omni Mic into Zoom H6. Sennheiser MKH 416 into camera.
Canon C200 through HDMI into Blackmagic Intensity Extreme into multiple Zoom meeting rooms. 1080p Broadcast with 4k internal capture.
Background: Kate Backdrops cloth. x3 Godox Light stick.
Talent: x1 CAME-TV 150w LED with 48” softbox for keylight. 48” reflector for fill. Dracast Foldable LED1000 for hairlight.
Audio: Sennheiser G4 Lav packs with Countryman B3 Omni Mic into camera. Sennheiser MKH 416 into camera.
ENG cameras through SDI to recording decks for Proress internal capture, to Wirecast software that was broadcast using Brightcove.
